The darker lines in the following picture appear to have been bent out of shape, hence the title:
distortion
If the paint photographed in the next image had been a different colour, I’d have had to come up with a different title:
electric storm
The next photo reminds me of a dusty old map on which there appears to be writing that I can’t quite read:
mapping the desert
The following image was originally a colour photograph, until I discovered that it took on a more dramatic appearance when reduced to black and white:
over the hills and far away
The vaguely ovine shapes on a green background immediately suggested to me the title of a well-known aria from JS Bach’s cantata #208, although I’d be the first to admit that there is nothing musical about this image:
sheep may safely graze
The last image is an example of efflorescence—dissolved salts being re-deposited as the dampness in a wall slowly evaporates:
the icing on the cake
recent posts in this series
Photographic Abstraction #15
Photographic Abstraction #16
Photographic Abstraction #17
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